Live Event Paintings

I paint oil paintings, live, at wedding receptions and events, anywhere in the world. Click my profile to find my email, or call (206) 382-7413.
Showing posts with label live oil painting. Show all posts
Showing posts with label live oil painting. Show all posts

Friday, August 21, 2015

Painting a Wedding at Seattle Aquarium

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Who wouldn’t want to get married in front of an eighteen by sixty foot wall of salmon and rockfish? Actually, the couple had planned the ceremony to be outside the SeattleAquarium, with the incredible views from the pier, of Elliott Bay and the Olympic Mountains across Puget Sound. But it was a rare dark and rainy day in August, and the ceremony was moved inside. The foot-thick plexiglass made a great backdrop for the ceremony, and when the room was flipped during the cocktail hour, the aquarium became the backdrop for the bridal party’s long table during the reception.
The Little-Greene Wedding, Seattle Aquarium, 2015. Oil on Canvas, 24 x 36 inches, by Sam Day.

Wednesday, May 21, 2014

Live Painting at Northwest Corks and Crush Auction, 2014



Live Painting at Northwest Corks and Crush Auction, 2014
Northwest Corks and Crush is a benefit for the Good Samaritan Foundation, of Good Samaritan Hospital  in Puyallup, Washington. As I always do when I paint at auctions, I painted the scene during the silent auction and cocktail hour. Then during the live auction, I carried the painting onstage and did my best Vanna White impression as the bid paddles were raised. Then afterwards, the couple who bought the painting met me at my easel, where I painted them standing next to this lovely 1956 Cadillac Eldorado.

Friday, September 21, 2012

Pohl-Drake Wedding, Bainbridge Island, Washington


The Pohl-Drake Wedding by Sam Day
The Pohl-Drake Wedding, 2012, Oil on Canvas, 24 x 40 inches, by Sam Day


The Pohl-Drake wedding was, for the bride, just a visit to Grandma's house for some blackberry pie— along with 275 guests.
The bride rides horses, and has fond memories of visiting her grandmother’s summer house on Bainbridge Island, and picking blackberries. The groom rides everything else— but chiefly motocross bikes. That’s why, during his father’s toast, his brother rode through the tent on the front seat of a tandem bicycle, with an English saddle on the back seat, and a hobby horse tied to the front (I painted that in the lower left corner).
The grandmother’s summer house is situated in an enclave known as The Country Club of Seattle, wherein eighteen estates on a wooded hill are surrounded by a grassy apron of equestrian paradise, nine holes of golf, and Puget Sound. The ceremony was in a tent on the lawn looking south at Blake Island and west to Rich Passage.  Cocktails were held a few hundred yards to the east, in another white tent right on Restoration Point. I set up my easel in the final reception tent, northernmost of the three, pitched within a wooden railed equestrian circle, not far from the barn, looking east. The view stretched from Blakely Harbor on the left, to the cocktail tent on the right, seen just over the hill. One can see Seattle from here, over the blackberry bushes that line the shore. The tall skyline appears in my painting just left of the cocktail tent. Blakely Rock is just 800 yards off the pebbly beach, in the center of the painting, where a sailboat passes. A Washington State Ferry is seen leaving Eagle Harbor en route to Seattle.
The tent itself was a hundred and fifty feet wide, open to the view on the water side, and decorated with elegant antiques (Vintage Ambiance) in subdued colors. Erected as it was in a horse’s trotting ring, the floor was grass, cut golf course short, and combed clean as a carpet. I painted barefoot (by permission), and believe me, it was immaculate.
The wedding was semiformal. The groom wore a plaid suit with a bow tie, like an English gentleman. The groomsmen wore dark suits and bow ties of various colors; the bridesmaids each wore something boldly unique. The bride wore lace. Everyone wore broad smiles.
There was a dance floor and a stage. Dinner was serenaded by an unamplified bluegrass band, The Tallboys. After dinner, The Craig Lawrence Band played everything from jazz to classic rock and current pop.
Herban Feast catered, and floral magic was provided by Bainbridge Island based Rachel Bowes of Finch and Thistle. The maestro who brought it all together was Sarah Cabatit, of EventWise Planning.
Locally sourced Blackberry pie was served along with the coconut cake  (bottom right, on the table behind Grandma).